Plot summary: In a loving homage to iconic Batman artists, a group of children take turns telling wildly different stories about their perception of Batman.

(Originally published on The Reel World July 31st, 2021)
Notes
Original Air Date: October 10th, 1998
Directed: Dan Riba (16)
Written: Bruce Timm (4) (story) & Robert Goodman (3) (story & teleplay)
Animation: Koko Enterprise Co., LTD (15) & Dong Yang Animation Co., LTD. (57)
Music: Shirley Walker (47)
The two stories told are drawn in the style of Dick Sprang and Frank Miller respectively. Both were sent the episode ahead of airing and gave their approval of the adaptations of their work.
They wanted to go full Treehouse of Horror and have a third segment honouring Denny O’Neil/Neal Adams, but found Adams’ more realistic/natural art style too difficult. Plus an enormous amount of this show draws inspiration from that era anyway.
When he submitted this story idea, Bruce Timm claimed to have no pre-existing knowledge of a comic book issue from 1973 by Frank Robbins which featured three kids on a camping trip swapping stories about Batman.
Batman: Gotham Knight basically uses this premise as well, with each segment done by a different animation studio in a different art style.

Recap
A group of kids fawn over a grainy picture of Batman in a newspaper and excitedly trade ideas about him, with one kid believing he is a supernatural being with wings and fangs. One of them claims their uncle met him once…
We see said uncle working as a security guard at Walker Music Center (named for series composer Shirley Walker), which Joker and his boys raid, seeking to steal the original score of Pagliacci!

Batman and Robin arrive, having solved a clue left by Joker. After many somersaults and creative uses of oversized musical instruments, the Dynamic Duo seem to have the upper hand… until Joker drops a sousaphone onto Robin and a distracted Batman is knocked out with a huge tuning fork.
Joker and his crew toss the heroes onto a giant piano, which he gleefully begins playing by running along the keys. Batman and Robin roll away from the hammers to avoid being crushed to death and manage to cut their way free.

Joker and his cronies are once again taken down by use of oversized instruments, this time for good. Batman instructs the security guard to call the police and then shakes hands with Robin in true Batman 66 fashion.
Returning to the present, the other kids don’t buy the story. They pass by a friend called Joel outside ‘Shoemaker’s’, who has heard Batman wears tight rubber armour and has a car that drives up walls… Subtle, guys.

Joel points them to a nearby coffee shop, the scene of a recent arson attack similar to the one reported in the newspaper at the start of the episode. They wonder if they can find any clues like Batman.
‘Carrie’ goes next, claiming Batman is old and Robin is a girl, taking us to a Dark Knight Returns scene with the hulking vigilante beating up some members of the Mutants gang.

The Mutant Leader is rallying his crew at a junkyard, when Batman attacks in his enormous Bat-Tank, easily taking out his attackers with rubber bullets.
Batman exits the tank to accept The Mutant Leader’s challenge to a one on one battle and the two giants beat the piss out of each other in the mud in as brutal a manner as the censors would allow until Batman is victorious.

The kids leave, agreeing Batman rules, but spot their hero flying overhead so follow to an abandoned movie theatre, where it turns out it was Firefly and not Batman!
Naturally the real deal arrives just in time to take the winged arsonist down and rescue the kids, who call the police. Harvey Bullock wonders who called it in for them as the children continue to debate Batman’s true nature.

Best Performance
Given this episode has two fantastical tales from two vastly different eras, I feel it’s only right to call this a tie between a Batman and a Joker.
Michael Ironside absolutely rules as Frank Miller’s Batman, sounding a surprising amount like Peter Weller in The Dark Knight Returns, with the same world-weary mumble, only he delivers his (at times identical) lines with infinitely more aplomb. Honestly, I’m furious that they didn’t hit him up to reprise the role for the two animated movie adaptations years later.
Michael McKean understood his assignment as the 50’s/60’s Joker: ham it up so far beyond what feels like the tasteful limit… and then some. He’s great delivering awful puns, while maintaining enough of the Mark Hamill-esque charismatic showmanship.
Gary Owens and Anndi McAfee are a great campy Batman & Robin, too, but they get far fewer lines.

Episode Ranking
This episode should probably have been the series finale as it serves as a delightful love letter to multiple eras of the franchise. I have always had a soft spot for anthologies, and only wish this one could have squeezed in a third tale in the middle to complete the holy trinity with Denny O’Neil’s iconic 70s run.
The Dick Sprang/Bill Finger section is full of giant goofy props in a fantastical location with bad puns being delivered at 100mph. Beyond the obvious art style homage and pitch perfect voice cast, the animation captured even the most minor of movements and poses that you simply don’t see anymore. This is the Batman that informed what was briefly the world’s most popular television show. This is my dad’s Batman. It’s the Batman that the Snyder cultists despise, and while it’s not my favourite era, this entire segment of the episode is so comforting and nostalgic. Honestly, lovely.
It was utterly wild to see The Dark Knight Returns condensed to five minutes of a children’s cartoon, right down to iconic lines like “this isn’t a mudhole, it’s an operating table. And I’m the surgeon”, and the Mutant Gang’s infamous manner of speech. Darwyn Cooke worked on the animation of this segment and he crushed it (obviously). Despite condensing the story to basically just Batman vs The Mutant Leader, there are a few recreations of iconic shots from what some feel is the greatest Batman comic ever. Again, perfect voice cast, and it’s crazy how edgy they were allowed to be, with multiple death threats and a surprisingly violent fight scene.

The framing device of the kids’ vivid imaginations works well, but the ‘real’ scenes are obviously the weakest part of the episode, and I wish they could have gotten from one story to the other a little quicker. Instead, they committed to the idea of them accidentally following Firefly’s trail, with the newspaper headline relating to unsolved arson, culminating in an okay battle between Batman and Firefly. There was something very charming about the youngest kid believing Batman followed his toy Bat Signal, while we know Bruce simply did his detective thing.
Overall the general concept is a testament to the power of the character and a subtle nod to the idea that for as famous as he seems, it’s still plausible most of Gotham have never seen him, even in a newspaper. His many amazing feats trickle down into tall tales, brought to life with profoundly different aesthetics. And if this had been the series finale, what better final note than a group of kids continuing to wonder about him while he swoops off to do keep doing Batman Things, ostensibly forever?
- The Laughing Fish
- Mask of the Phantasm
- Over the Edge
- Almost Got ‘im
- Heart of Ice
- Harlequinade
- The Trial
- Riddler’s Reform
- Double Talk
- Legends of the Dark Knight (NEW ENTRY)
- Shadow of the Bat Part I
- I Am the Night
- Robin’s Reckoning Part I
- Baby-Doll
- Sins of the Father
- Batman & Mr. Freeze: Sub-Zero
- The Man Who Killed Batman
- Perchance to Dream
- Two-Face Part I
- Torch Song
- Old Wounds
- Bane
- Batgirl Returns
- A Bullet For Bullock
- Joker’s Favor
- Read My Lips
- Feat of Clay Part II
- The Ultimate Thrill
- Catwalk
- The Demon’s Quest Part II
- Harley and Ivy
- Robin’s Reckoning Part II
- House & Garden
- Beware the Gray Ghost
- Mean Seasons
- You Scratch My Back
- Growing Pains
- Holiday Knights
- Second Chance
- Mad as a Hatter
- Heart of Steel Part II
- Appointment In Crime Alley
- Two-Face Part II
- Pretty Poison
- Deep Freeze
- Harley’s Holiday
- Lock-Up
- Shadow of the Bat Part II
- Feat of Clay Part I
- Cold Comfort
- His Silicon Soul
- Off Balance
- Vendetta
- Birds of a Feather
- Joker’s Millions
- Heart of Steel Part I
- Never Fear
- On Leather Wings
- Love is a Croc
- See No Evil
- The Clock King
- It’s Never Too Late
- Make ‘Em Laugh
- Joker’s Wild
- Eternal Youth
- The Cape and Cowl Conspiracy
- The Cat and the Claw Part I
- Zatanna
- Day of the Samurai
- Avatar
- The Demon’s Quest Part I
- The Mechanic
- The Strange Secret of Bruce Wayne
- Terror in the Sky
- P.O.V.
- Christmas with the Joker
- Fear of Victory
- Be a Clown
- The Worry Men
- What is Reality?
- The Demon Within
- Animal Act
- Night of the Ninja
- Fire From Olympus
- Mudslide
- The Cat and the Claw Part II
- Nothing to Fear
- The Lion and the Unicorn
- Prophecy of Doom
- Cult of the Cat
- Tyger, Tyger
- Blind as a Bat
- If You’re So Smart, Why Aren’t You Rich?
- Dreams In Darkness
- The Last Laugh
- Cat Scratch Fever
- Moon of the Wolf
- Paging the Crime Doctor
- Time Out of Joint
- Sideshow
- The Under-Dwellers
- The Forgotten
- Showdown
- Critters
- The Terrible Trio
- I’ve Got Batman in My Basement
Rogues Roundup

The Joker (Michael McKean) (eighteenth appearance)
This is a very different Joker to the one we’ve been spoiled with over the years, yet maintains much of his appeal. The art design is obviously far superior to the god-awful The New Batman Adventures revamp, but not as good as BTAS.
Going with a Joker who tries to steal priceless clown opera manuscripts rather than the modern one who once cut his own face off, he still utterly steals the show through his wacky antics and excellent voice actor. Watching him run up and down a giant piano is a delight (and the implication of massive violence if he succeeds keeps him edgy, don’t worry!), but he’s also great doing the little direct-to-camera ad break message. Love it.

Mutant Leader (Kevin Michael Richardson) (first appearance)
Again, it was so weird (in a good way), seeing this character brought to life in a random episode of the show. The look is perfect, right down to the reveal of those black shark-like eyes after Batman smashes his red visor.
It’s such a striking design that even if you watched this without knowing what it was adapting, you’d probably say ‘that guy was cool!’ This was aided by Kevin Michael Richardson, who was eager to play the character as he was a big fan. I wish he’d gotten a few more lines to play with, but it still works, with this hulking freakshow nearly drowning Batman in mud.

Firefly (Mark Rolston) (second appearance)
Look, he’s barely even in the episode, but I appreciated seeing him return after his strong debut. It’s nice that you can figure out he’s the person behind the events of the episode long before the kids realise, and his wings and flight make them think he’s Batman.
- The Joker (-)
- Harley Quinn
- Mr. Freeze
- Poison Ivy
- The Ventriloquist
- Catwoman
- Two-Face
- Bane
- The Riddler
- The Phantasm
- Baby-Doll
- Mad Hatter
- Clayface
- HARDAC (and Randa Duane)
- Ra’s al Ghul
- Calendar Girl
- Roxy Rocket
- Killer Croc
- Firefly (-)
- Penguin
- Scarecrow
- Lock-Up
- Lloyd Ventrix
- Rupert Thorne
- Mutant Leader (NEW ENTRY)
- Count Vertigo
- Clock King
- Klarion (and Teekl!)
- Nivens
- Roland Daggett (and Germs & Bell!)
- Enrique el Gancho
- Josiah Wormwood
- Talia al Ghul
- Sid the Squid
- Queen Thoth Khepera
- Maxie Zeus
- Jimmy ‘Jazzman’ Peake
- Tony Zucco
- Man-Bat
- Rhino, Mugsy and Ratso
- Hugo Strange
- Red Claw
- Arnold Stromwell
- Mad Bomber
- Tygrus
- Kyodai Ken
- Condiment King/Pack Rat/Mighty Mom
- Farmer Brown (and Emmylou!)
- Grant Walker
- Gil Mason
- Nostromos (and Lucas!)
- Cameron Kaiser
- Dr. Dorian (and Garth)
- Mad Dog
- Ubu
- Thomas Blake
- Professor Milo
- Romulus
- Arkady Duvall
- Sewer King
- Boss Biggis
- Montague Kane
- The Terrible Trio
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