Plot summary: Harley Quinn remembers her first meeting with Joker and decides that the two of them will never be happy unless she kills Batman.

(Originally published on The Reel World August 7th, 2021)

Notes

Original Air Date: January 16^th, 1999

Directed: Butch Lukic (4)

Written: Paul Dini (30) (story & teleplay) & Bruce Timm (5) (story)

Animation: Koko Enterprise Co., LTD (17) & Dong Yang Animation Co., LTD. (59)

Music: Shirley Walker (48)

This is an adaptation of the Eisner award-winning comic of the same name, also written by Dini and Timm. I for one had no idea that was the case growing up!

They talked about making this a straight-to-video movie (something I think they should have done at least 2-3 more times!), but Bruce Timm always felt it was a book and should be left as such… until they made it into an episode of course!

That being said, they could only make it into an episode with the slightly relaxed censorship of TNBA, as Dini said it was slightly too raunchy and violent at the time BTAS was airing. It is still toned down from the comic, but they felt Fox would have killed the entire idea.

Many of the interview scenes were re-recorded for Batman: Arkham Asylum, written by Paul Dini and featuring Hamill and Sorkin reprising their roles.

Joker’s exit line in the dentist’s office was changed from the comic to make a Star Wars gag at Mark Hamill’s expense.

Recap

Commissioner Gordon attends a dental check-up, much to his chagrin. Unfortunately his dentist has been replaced by Joker, who attempts to drill his brains out. Not in a sex way.

Batman arrives, pointing out how obvious a clue some wind-up teeth were. Harley claims the credit for the teeth and gasses Batman, but annoys Joker by attempting a one-liner. He drags her out of the office, leaving behind a grenade that Bruce manages to toss out the window just in time.

Back at Joker’s hideout, Harley attempts to seduce Puddin’, crawling all over his blueprints in negligee. The Murder Clown has sub-zero interest, tossing her aside in favour of brainstorming ways to kill Batman.

Harley suggests simply shooting him, offending Joker, who insists it be an act of unrivalled comic genius. He kicks her to the curb, literally, and she responds by… blaming Batman!

We flash back to her first meeting with Joker as an intern at Arkham Asylum, openly admitting she is drawn to extreme personalities. She is thus instantly attracted to Joker, who manages to send a flower to her office.

Intrigued, Harleen was able to secure an interview with the Murder Clown. Joker span her a tale about his abusive father and made her laugh, more than enough to make her fall in love with him.

After Joker escaped Arkham and was promptly returned battered and bruised by Batman, Harleen couldn’t bear to see her beau in pain any longer, so stole a costume and makeshift weapons, returning to the asylum to bust him out.

Harley Quinn was born!

Back in the present, Harley doubles down on her assertion that Batman will always come between the two, so sends the Caped Crusader a faux plea for help, claiming to have come to her senses.

A cautious Bruce meets her at the docks but lets his guard down when a fake Joker attacks, leaving himself open to being knocked out by Quinn!

Bats awakens suspended over a piranha tank as Harley is determined to make one of Joker’s old schemes work (if he’s upside down, the fish will appear to be smiling!)

When she mentions settling down with Joker after the job is done, Batman laughs his ass off, terrifying her. Bruce points out Joker loves nothing but himself, revealing a story he told her in Arkham was fake.

Harley summons Joker, who… pimp slaps her. Yeesh. She tries to reason with him about making his plan work, but he points out it’s not funny if you have to explain it and… throws her out of a window!!! YEEEESH.

Joker unties Batman and prepares to leave… but then realises he could just shoot him in the head. That doesn’t go well, with Bruce forcing him to shoot the tank and using the chaos to free himself.

A brief chase leads them to the top of a moving train and Batman taunts Joker that Harley came closer than he ever did. A fist fight culminates in an uppercut that sends Joker flying from the train to his apparent… death!!!

The horrifically wounded Harley is put back in her cell, where her inner monologue writes Joker off for good… but she looks over to her bedside table where he’s left her a flower, and just like that, she’s back under his spell.

Best Performance

Arleen Sorkin has always excelled when given the proper time, and this definitive Harley episode is no exception. Her default manic setting fires on all cylinders, and the tragedy of ‘Harlequinade’ and ‘Harley’s Holiday’ returns in full force. I actually don’t think it’s her best outing vocally, but it’s right up there, and she’s able to show her range with funny lines like “Don’t you want to rev your Harley? Vroom! Vroom!” as well as devastatingly sad ones like “My fault, I didn’t get the joke.” Her terror when Batman laughs is pretty great too.

Speaking of which, Kevin Conroy almost threatens to steal the show, with many pointing to the third act as some of Batman’s finest psychological warfare, playing Harley and Joker like fiddles. Bruce has been far more stern and snippy in this season compared to BTAS, per the producers’ instructions, so it was nice to get something a little more involved here.

Mark Hamill remains Mark Hamill.

Episode Ranking

The comic version is slightly better, but this is still tremendous. The original has more time to play with, extending some scenes and showing Harley’s life pre-Arkham, a dream sequence of domestic bliss with Joker, and states Joker prevented Batman’s death for fear of the other Gotham criminals laughing at him if his girlfriend had to do it for him. It’s also a little edgier, but not in an overly gratuitous/cringe way. Oh, plus everybody is drawn in their BTAS incarnations, which for Joker in particular is a massive win.

But as I said, it’s still an excellent episode that gives an origin story to Paul Dini’s finest creation (more on that below) while also serving as a great character study of Batman and Joker. It crams an awful lot into its run time without feeling overly rushed, stuffed to the brim with iconic lines that have been discussed to death. Some of it remains shockingly tough to watch for a 25-year-old children’s cartoon, particularly Harley lying ostensibly dead in an alleyway before the ending confirms her survival.

The visuals are pretty great, though they did have a comic book to use as a storyboard, and there are some tiny animation goofs here and there. The most effective upgrade is the little stylised montage of Joker transforming, terrorising Gotham and battling Batman while Harley plays unreliable narrator, calling him misunderstood while he unloads a tommy gun into a crowd. It paired well with Batman returning Joker to Arkham after one of his escapes, the kind of scene we have seen a dozen times, but this time spun as a horrifying act worthy of sympathy rather than justice being served.

Some feel this is the peak of the franchise, which I’m not quite willing to go all the way on. ‘Mask of the Phantasm’ uses its increased budget and runtime to deliver a more beautiful, emotionally elegant story, while ‘The Laughing Fish’ is in my opinion the platonic ideal of the show.

1. The Laughing Fish
2. Mask of the Phantasm
3. Mad Love (NEW ENTRY)
4. Over the Edge
5. Almost Got ‘im
6. Heart of Ice
7. Harlequinade
8. The Trial
9. Riddler’s Reform
10. Double Talk
11. Legends of the Dark Knight
12. Shadow of the Bat Part I
13. I Am the Night
14. Robin’s Reckoning Part I
15. Baby-Doll
16. Sins of the Father
17. Batman & Mr. Freeze: Sub-Zero
18. The Man Who Killed Batman
19. Perchance to Dream
20. Two-Face Part I
21. Girls’ Night Out
22. Torch Song
23. Old Wounds
24. Bane
25. Batgirl Returns
26. A Bullet For Bullock
27. Joker’s Favor
28. Read My Lips
29. Feat of Clay Part II
30. The Ultimate Thrill
31. Catwalk
32. The Demon’s Quest Part II
33. Harley and Ivy
34. Robin’s Reckoning Part II
35. House & Garden
36. Beware the Gray Ghost
37. Mean Seasons
38. You Scratch My Back
39. Growing Pains
40. Holiday Knights
41. Second Chance
42. Mad as a Hatter
43. Heart of Steel Part II
44. Appointment In Crime Alley
45. Two-Face Part II
46. Pretty Poison
47. Deep Freeze
48. Harley’s Holiday
49. Lock-Up
50. Shadow of the Bat Part II
51. Feat of Clay Part I
52. Cold Comfort
53. His Silicon Soul
54. Off Balance
55. Vendetta
56. Birds of a Feather
57. Joker’s Millions
58. Heart of Steel Part I
59. Never Fear
60. On Leather Wings
61. Love is a Croc
62. See No Evil
63. The Clock King
64. It’s Never Too Late
65. Make ‘Em Laugh
66. Joker’s Wild
67. Eternal Youth
68. The Cape and Cowl Conspiracy
69. The Cat and the Claw Part I
70. Zatanna
71. Day of the Samurai
72. Avatar
73. The Demon’s Quest Part I
74. The Mechanic
75. The Strange Secret of Bruce Wayne
76. Terror in the Sky
77. P.O.V.
78. Christmas with the Joker
79. Fear of Victory
80. Be a Clown
81. The Worry Men
82. What is Reality?
83. The Demon Within
84. Animal Act
85. Night of the Ninja
86. Fire From Olympus
87. Mudslide
88. The Cat and the Claw Part II
89. Nothing to Fear
90. The Lion and the Unicorn
91. Prophecy of Doom
92. Cult of the Cat
93. Tyger, Tyger
94. Blind as a Bat
95. If You’re So Smart, Why Aren’t You Rich?
96. Dreams In Darkness
97. The Last Laugh
98. Cat Scratch Fever
99. Moon of the Wolf
100. Paging the Crime Doctor
101. Time Out of Joint
102. Sideshow
103. The Under-Dwellers
104. The Forgotten
105. Showdown
106. Critters
107. The Terrible Trio
108. I’ve Got Batman in My Basement

Rogues Roundup

Harley Quinn (Arleen Sorkin) (twelfth appearance)

Harley’s backstory is often taken for granted, but the idea to make her a doctor who got a little too close to her patient was a stroke of genius by Dini. It simultaneously fleshes her out and asks more questions, fertile for future stories, such as what in her own past would lead her to be drawn to psychopaths and how such a glaring red flag could go undetected during her career. Dr. Leland doesn’t bat an eyelid! There’s also Joker’s observation that Harley was repressed due to the intensity of her career choice, making her susceptible to a hard swing in the opposite direction. All great, believable stuff.

But the part people seem to love most about this episode for Harley is the degree to which she’s been broken and gaslit by Joker without even realising it. The fact that we’ve had so many episodes ending with her breaking free from his control, only for us to do it all over again can be summarised in that haunting final moment as it only takes the slightest bit of affection from the centre of her universe and all is forgiven. Never mind the fact he physically and emotionally abuses her, literally throwing her out of a window, which she reacts to by saying it was her own fault. Just brutal stuff that far too many people glamourise.

We also can’t overlook the fact that Harley had Batman dead to rights, arguably twice, and it was Joker who ruined it. Never has her argument to claim the number one spot been stronger. But… not quite. Joker is Joker. It’s the definitive version of the definitive comic book nemesis. Still, more episodes like this and ‘Harlequinade’ and she might have pulled it off.

Oh, and don’t think I didn’t notice Poison Ivy being the first person shown when Harley talks about attraction in the flashback sequence.

The Joker (Mark Hamill) (nineteenth appearance)

As Batman points out, Joker’s ego could never allow Harley to upstage him, essentially saving his nemesis twice to ensure his girlfriend doesn’t get the glory. Definitely something delightfully homoerotic to look into there, especially given a sexed-up Harley couldn’t tear his attention away from Batman. Heck, Hamill even plays the moment where he frees Bruce at the end with the nervous energy of talking to a crush.

Dini managed to get his own version of The Killing Joke in with the multiple choice origins being used to manipulate Harley. There’s also a nod to ‘The Laughing Fish’ with the piranha plan, and it even ends identically, with Batman knocking him from a great height to his apparent death. But of course, Joker is eternal. More on that later!

1. The Joker (-)
2. Harley Quinn (-)
3. Mr. Freeze
4. Poison Ivy
5. The Ventriloquist
6. Catwoman
7. Two-Face
8. Bane
9. The Riddler
10. The Phantasm
11. Baby-Doll
12. Mad Hatter
13. Clayface
14. HARDAC (and Randa Duane)
15. Ra’s al Ghul
16. Livewire
17. Calendar Girl
18. Roxy Rocket
19. Killer Croc
20. Firefly
21. Penguin
22. Scarecrow
23. Lock-Up
24. Lloyd Ventrix
25. Rupert Thorne
26. Mutant Leader
27. Count Vertigo
28. Clock King
29. Klarion (and Teekl!)
30. Nivens
31. Roland Daggett (and Germs & Bell!)
32. Enrique el Gancho
33. Josiah Wormwood
34. Talia al Ghul
35. Sid the Squid
36. Queen Thoth Khepera
37. Maxie Zeus
38. Jimmy ‘Jazzman’ Peake
39. Tony Zucco
40. Man-Bat
41. Rhino, Mugsy and Ratso
42. Hugo Strange
43. Red Claw
44. Arnold Stromwell
45. Mad Bomber
46. Tygrus
47. Kyodai Ken
48. Condiment King/Pack Rat/Mighty Mom
49. Farmer Brown (and Emmylou!)
50. Grant Walker
51. Gil Mason
52. Nostromos (and Lucas!)
53. Cameron Kaiser
54. Dr. Dorian (and Garth)
55. Mad Dog
56. Ubu
57. Thomas Blake
58. Professor Milo
59. Romulus
60. Arkady Duvall
61. Sewer King
62. Boss Biggis
63. Montague Kane
64. The Terrible Trio